[9], The bass aria "Wacht auf, ihr Adern und ihr Glieder" (Awaken, veins and limbs),[11] is a final call to wake up and join the praise of the angels. Advent: Entstehungsjahr: 1731 Entstehungsort: Leipzig: Gattung: Kirchenkantate Solo: S A T B Chor: SATB Instrumente: 2Oa 2Vl Va Bc Text unbekannt, Martin Luther, Philipp Nicolai: Liste der Bachkantaten; Schwingt freudig euch empor (BWV 36) ist eine Kirchenkantate von Johann Sebastian Bach. 2 10 was ist ein Menschenkind (F, Duetto Aria (soprano, alto): Ehre sei Gott in der Höhe (A major), Aria (bass): Wacht auf, ihr Adern und ihr Glieder (D major), Chorale: Alleluja! Michrond (2016/2/8), Engraving files (Finale & XML) Bach composed the cantata in his third year as Thomaskantor in Leipzig. 2 (-) - !N/!N/!N - 59×⇩ - FP23, Complete Score 8 6 (-) - !N/!N/!N - 172×⇩ - wrshannon, ZIP typeset by arranger 4 *#410545 - 0.23MB, 13 pp. 10 pp. [5] Instrumental groups playing period instruments in historically informed performances are highlighted green under the header Instr.. Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: "The transition between the second and the third yearly cycle of Bach's Leipzig cantatas (1725 Leipzig, I)", "Wir Christenleut habn jetzund Freud / Text and Translation of Chorale", "Unser Mund sei voll Lachens , BWV 110 / Then Was our Mouth Filled with Laughter", "Cantata BWV 110 Unser Mund sei voll Lachens", "Johann Sebastian Bach / Cantata No. [2] The librettist began with a quotation of two verses from Psalm 126 which deals with the hope for delivery of Jerusalem, "When the Lord turned again the captivity of Zion, we were like them that dream. a 3 Trombe, Tamburi. 6 10 Johann Sebastian Bach composed the church cantata Was willst du dich betrüben (Why would you grieve), BWV 107 in Leipzig for the seventh Sunday after Trinity and first performed on 23 July 1724. 6 6 (BWV 100-117) Bach-2000 Vol. - (-) - !N/!N/!N - 309×⇩ - Michrond, PDF typeset by arranger 0.0/10 6 Sonata - BWV 1032 (Arr. 4 6 8 Bärenreiter, Kassel 1999, ISBN 3-7618-1476-3. 8 Unser Mund sei voll Lachens (May our mouth be full of laughter), BWV 110, is a church cantata by Johann Sebastian Bach. [4], The duet "Ehre sei Gott in der Höhe" (Glory to God in the highest),[11] combines two high voices over a simple continuo accompaniment, singing of God's glory in the highest and peace on Earth. *#131924 - 0.05MB, 4 pp. *#495480 - 0.24MB, 16 pp. *#410546 - 0.57MB, ? Sallen112 (2017/1/17), Alto and Continuo Bach structured the cantata in seven movements. Trumpet and oboe add to energetic music. 10 Les Cantates, Folge / Vol. 8 (-) - !N/!N/!N - 174×⇩ - FP23, Complete Score and Parts [1] John Eliot Gardiner, who conducted the Bach Cantata Pilgrimage, interprets it as Bach's vote against a strict one voice per part concept. An opening chorus and a closing chorale frame a sequence of arias, a recitative and a duet. - 4 6 8 Gallus Media, 2014. Bach: Das Kantatenwerk - Sacred Cantatas Vol. and Strings (Lang), Aria: 'Wacht auf, ihr Adern und ihr Glieder' (No.6), For 2 Violins, Viola and 2 Cellos (Lang / Bartoli), For Mixed Chorus or Recorders AATB/ATTB (Mondrup), Creative Commons Attribution-NonCommercial-ShareAlike 4.0, Creative Commons Attribution-NonCommercial-NoDerivs 4.0, Creative Commons Attribution-NonCommercial 4.0, Creative Commons Attribution Non-commercial Share Alike 3.0, Creative Commons Attribution Non-commercial 3.0, Denn du wirst meine Seele nicht in der Hölle lassen, Gleichwie der Regen und Schnee vom Himmel fällt, Wer sich selbst erhöhet, der soll erniedriget werden, Ich elender Mensch, wer wird mich erlösen, Wer mich liebet, der wird mein Wort halten, Der Himmel dacht auf Anhalts Ruhm und Glück, Bisher habt ihr nichts gebeten in meinem Namen, Herr, gehe nicht ins Gericht mit deinem Knecht, Erforsche mich, Gott, und erfahre mein Herz, Lobe den Herren, den mächtigen König der Ehren, Wir müssen durch viel Trübsal in das Reich Gottes eingehen. 6 Bach followed it, using different musical forms for the biblical quotations. 2 0.0/10 0.0/10 Bach composed the cantata in his third year as Thomaskantor in Leipzig. 6 Unser Mund sei voll Lachens 0.0/10 110 Unser Mund sei voll Lachens. 8 Bach used material from a "Huldigungskantate" (homage cantata), O angenehme Melodei, first performed in January 1729. *#258368 - 0.03MB, 1 pp. 8 4 The text for this work is in an older style, with biblical texts interspersed with arias. 8 4 In 1724, his second year, he composed three chorale cantatas for the three feast days, beginning with Gelobet seist du, Jesu Christ, BWV 91. BWV 109 Ich glaube, lieber Herr, hilf meinem Unglauben English translation, University of Vermont; BWV 109 Ich glaube, lieber Herr, hilf meinem Unglauben text, scoring, University of Alberta; Chapter 23 BWV 109 Ich glaube, lieber Herr, hilf meinem Unglauben Julian Mincham 2010 This page was last edited on 4 March 2020, at 12:47 (UTC). 4 wrshannon (2011/10/3), Transcription Information [7] The keys and time signatures are taken from the book on all cantatas by the Bach scholar Alfred Dürr, using the symbols for common time (4/4) and alla breve (2/2). *#258367 - 0.04MB, 2 pp. 6 BWV: 36 Anlass: 1. [12], The closing chorale, "Alleluja! - [9] The text "concludes with acknowledgement that the Lord has achieved great things for his people". *#258369 - 0.16MB, ? 0.0/10 6 2 [1] The prescribed readings for the feast day were from the Epistle of Titus, "God's mercy appeared" (Titus 2:11–14) or from Isaiah, "Unto us a child is born" (Isaiah 9:2–7), and from the Gospel of Luke, the Nativity, Annunciation to the shepherds and the angels' song (Luke 2:1–14). 0.0/10 8 Unser Mund sei voll Lachens, BWV 110, is a church cantata by Johann Sebastian Bach. Reccmo (2018/10/14), Complete Score (G minor) 0.0/10 BWV 1048 Brandenburgische Konzert Nr. 2 - Jun T (2016/6/12), Complete Score - *#01363 - 7.25MB, 62 pp. 4 The oboes double the strings or rest, for more dynamic effect. 10 ; Bc AD: ca. (-) - !N/!N/!N - 542×⇩ - Michrond, Engraving files (Finale & XML) 10 *#592537 - 0.28MB, 12 pp. 0.0/10 • Page visited 21,755 times • Powered by MediaWiki *#410547 - 2.53MB - 2:46 - 8 6 [8] The duration is given as 27 minutes.[1]. - *#263481 - 0.06MB, 1 pp. 2 No. 600 dpi. 110, "Unser Mund sei voll Lachens," BWV 110 (BC A10)", "Chapter 6 BWV 110 Unser Mund sei voll Lachens / Fill our mouths with the sounds of laughter", "Chorale Melodies used in Bach's Vocal Works / Wir Christenleut habn jetzund Freud", International Music Score Library Project, Unser Mund sei voll Lachens BWV 110; BC A 10 / Sacred cantata (1st Christmas Day), Recordings of BWV 110 at Classical Music Online, https://en.wikipedia.org/w/index.php?title=Unser_Mund_sei_voll_Lachens,_BWV_110&oldid=998594413, Psalm-related compositions by Johann Sebastian Bach, Pages using infobox musical composition with unknown parameters, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 6 January 2021, at 03:22. *#545495 - 0.00MB, ? 10 (-) - !N/!N/!N - 752×⇩ - Michrond, Continuo - [4] The laughter mentioned in the text is "often made quite graphically audible", as the Bach Scholar Alfred Dürr words it. No. Dürr interprets the choice of the flutes as a symbol for the "lowly birth". 0.0/10 Concerto for 3 trumpets, timpani, 3 oboes, bassoon, 2 violins and viola, 4 voices and continuo". (-) - !N/!N/!N - 526×⇩ - Michrond, PDF typeset by editor O holder Tag, erwünschte Zeit (O lovely day, o hoped-for time), BWV 210.2, BWV 210, is a secular cantata by Johann Sebastian Bach.He wrote the solo cantata for soprano in Leipzig for a wedding and first performed it between 1738 and 1746. - - 0.0/10 / Baßon. 4 He chose this cantata in one of three Christmas concerts to conclude the endeavour of a full year, and notes the first movement's "marvellous rendition of laughter-in-music" and "innate elegance and lightness of touch". Samt Einführungsworkshop sowie Reflexion von Jürg Kesselring. *#378349 - 0.00MB - 0:39 - - The closing chorale is taken from Caspar Füger's "Wir Christenleut". BWV 110 IMSLP: Cantata no. 2 0.0/10 (-) - V/V/V - 2439×⇩ - Perlnerd666, PDF scanned by bh2000 German libretto at U. Alberta. (-) - !N/!N/!N - 191×⇩ - wrshannon, Engraving files (Finale) *#258371 - 3.39MB - 3:42 - *#258366 - 0.05MB, 3 pp. was ist ein Menschenkind' (No.4), Chorale: 'Alleluja! (-) - !N/!N/!N - 95×⇩ - Vangi, Complete Score and Parts *#495479 - 0.28MB, 18 pp. 6 6 0.0/10 0.0/10 0.0/10 8 10 8 http://imslp.org/index.php?title=Unser_Mund_sei_voll_Lachens,_BWV_110_(Bach,_Johann_Sebastian)&oldid=2949577, Pages with items from the Neue Bach-Ausgabe, Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License, Montréal: Les Éditions Outremontaises, 2015, The score loaded in 2006 miss 10 pages (266-275) and the same for several scans in the web and also Sheet Music and Brillant Classics in the Complete Bach Edition. 4 8 0.0/10 *#545494 - 0.01MB, 1 pp. Cantatas, BWV 101–110 BWV 101: Nimm von uns, Herr, du treuer Gott; BWV 102: Herr, deine Augen sehen nach dem Glauben; BWV 103: Ihr werdet weinen und heulen; BWV 104: Du Hirte Israel, höre; BWV 105: Herr, gehe nicht ins Gericht mit deinem Knecht; BWV 106: Gottes Zeit ist die allerbeste Zeit; BWV 107: Was willst du dich betrüben Herr, wenn die stolzen Feinde schnauben. (-) - !N/!N/!N - 84×⇩ - FP23, Complete Score and Parts *#495475 - 0.33MB, 17 pp. 2 10 10 - 2 [1] The poet included for a recitative a verse from the Book of Jeremiah, praising God's greatness (Jeremiah 10:6), and he quoted from the Christmas story in the Gospel of Luke the singing of the angels (Luke 2:14). 3: Sacred Cantatas 3 (BWV 100-117, 119-140, 143-149) Bach: Cantatas / Kantaten Vol. 10 He composed the Christmas cantata in Leipzig for Christmas Day and first performed it on 25 December 1725. 6 The idea of man in a sinful condition which is presented first, is changed to redemption. 2 6 The opening chorus on psalm verses is an adaptation of his overture to his fourth Orchestral Suite in D major, BWV 1069. Ich lasse dich nicht, du segnest mich denn! 2 and Strings (Lang), For Trios: Oboe or Oboe d'Amore ad lib. 2 6 (-) - !N/!N/!N - 90×⇩ - FP23, Complete score (G minor) - Montréal: Les Éditions Outremontaises, 2007, Chorus: Unser Mund sei voll Lachens (D major), Aria (tenor): Ihr Gedanken und ihr Sinnen (B minor), Recitativo (bass): Dir, Herr, ist niemand gleich (F, Aria (alto): Ach Herr! Bach scored the work festively for four vocal soloists, a four-part choir and a Baroque instrumental ensemble of trumpets and timpani, transverse flutes, different kinds of oboe, strings and basso continuo including bassoon. 6 Reccmo (2018/10/14), Complete score (G minor), recorder notation 0.0/10 (-) - V/V/V - 141×⇩ - Jun T, PDF scanned by Bach Digital (-) - V/V/V - 155×⇩ - Dgdegiorgi, PDF scanned by Bach-Cantatas.com Michrond (2016/2/8), Complete Score and Parts 8 10 - *#495473 - 0.26MB, 14 pp. Er komponierte sie in Leipzig für den 1. 0.0/10 [1] The continuo, playing throughout, is not shown. 0.0/10 0.0/10 [1] The first triad call of the trumpet is of martial character, and imitated by the voice. 8 *#545496 - 0.85MB - 0:31 - 2 Pierre Gouin (2012/12/26), Content is available under the Creative Commons Attribution-ShareAlike 4.0 License The duet "Ehre sei Gott in der Höhe" is based on the Christmas interpolation Virga Jesse floruit from Bach's Magnificat in E-flat major, BWV 243a, of 1723, performed for his first Christmas in Leipzig. 10 Some Bach scholars believed that the cantata was written in 1734 for the end of the War of the Polish Succession,[6] but the discovery of the printed text showed that it was not related. 8 4 10 Ach! [4] He led at least one more performance between 1728 and 1731.[5]. 0.0/10 4 [1][2] In this early text, three biblical quotations alternate with arias. 2 Sonntag nach Trinitatis und führte sie am 5. 8 3 Hautb. Mache dich, mein Geist, bereit (BWV 115) ist eine Kirchen-Kantate von Johann Sebastian Bach.Er komponierte die Choralkantate 1724 in Leipzig für den 22. Tönet, ihr Pauken! 0.0/10 [1] Gardiner notes that "goodwill towards men" is expressed in pastoral style, with the voices in parallels of tenths. Virtuoso passages in the trumpets are reminiscent of the first movement. 6 10 Dgdegiorgi (2016/8/1), Complete Score (EU) 3 G-Dur J. S. Bach Violino 1 3 5 7 10 13 15 19 22 24 26 30. www.kantoreiarchiv.de 2 www.kreuznacherdiakonie.de 32 35 38 41 43 45 47 49 52 55 58 61 64. www.kantoreiarchiv.de 3 www.kreuznacherdiakonie.de 68 71 73 76 80 82 84 86 88 90 92 94 96. www.kantoreiarchiv.de 4 www.kreuznacherdiakonie.de 99 103 105 108 111 115 119 123 126 128 130 … Page size is 10.00 x 12.688 inches. 4 *#426357 - 57.07MB, 40 pp. 8 ", which means "Jesus help. 10 (-) - !N/!N/!N - 330×⇩ - Michrond, ZIP typeset by editor 10 2 27 (BWV 107-110) J.S. 5 Aria Ehre sei Gott in der Höhe Trio arranged for organ by Peter Bækgaard for his Organ Transcriptions project - with Finale 3.0 source file; BWV 113 IMSLP: Cantata no. *#495474 - 0.22MB, 13 pp. 4 8 0.0/10 Mit Fried und Freud ich fahr dahin (BWV 125) ist eine Kirchenkantate von Johann Sebastian Bach.Er komponierte die Choralkantate in Leipzig für das Fest Mariä Reinigung auf das Kirchenlied Mit Fried und Freud ich fahr dahin von Martin Luther und führte sie am 2. [1] When Bach performed the work again later, he marked some vocal sections as "ripieno", achieving even more variety in the "concerto". [1], The alto aria, "Ach Herr, was ist ein Menschenkind" (Ah, Lord, what is a human being),[11] is accompanied by a solo oboe d'amore that "expresses wonder about the nature of man" and God's interest in him. Diese Datei und die Informationen unter dem roten Trennstrich werden aus dem zentralen Medienarchiv Wikimedia Commons eingebunden. Originaldatei (SVG-Datei, Basisgröße: 778 × 623 Pixel, Dateigröße: 1,28 MB). *#495481 - 0.43MB, 28 pp. He used a text by Georg Christian Lehms, which was published already in 1711. Michrond (2012/11/12), Complete Score Carolus (2006/8/29), Complete Score Cantatas, BWV 101–110 BWV 101: Nimm von uns, Herr, du treuer Gott; BWV 102: Herr, deine Augen sehen nach dem Glauben; BWV 103: Ihr werdet weinen und heulen; BWV 104: Du Hirte Israel, höre; BWV 105: Herr, gehe nicht ins Gericht mit deinem Knecht; BWV 106: Gottes Zeit ist die allerbeste Zeit; BWV 107: Was willst du dich betrüben pp. Gelobt sei Gott (B minor), I. Jauchzet, frohlocket, auf, preiset die Tage, II. Bach composed the cantata in his third year as Thomaskantor in Leipzig for Christmas Day, the first day of a Christmas celebration which lasted for three days. *#176953 - 0.02MB, ? 0.0/10 10 Advent und führte sie am 2. 10 *#495477 - 0.27MB, 11 pp. 4 113 Herr Jesu Christ, du höchstes Gut pp. (-) - !N/!N/!N - 140×⇩ - FP23, Complete Score and Parts (-) - !N/!N/!N - 125×⇩ - FP23, Complete Score and Parts 4 4 Literatur. - 6 Praise be to God),[11] is a four-part setting of the tune by an anonymous composer. 6 wrshannon (2011/10/3), Complete Score and Parts The cantata is based upon Jakob Ebert's hymn " Du Friedefürst, Herr Jesu Christ". - 2 8 (-) - !N/!N/!N - 53×⇩ - Michrond, ZIP typeset by arranger 6 November 1724 erstmals auf. 0.0/10 2 Concerto. Kantate BWV 170. (-) - !N/!N/!N - 841×⇩ - wrshannon, PDF typeset by arranger Gelobt sei Gott' (No.7), For Choir acapella or Recorders (Mondrup), For Quartets: Flute ad lib. 2 0.0/10 6 0.0/10 Bach scored the work for four vocal soloists (soprano (S), alto (A), tenor (T), bass (B)), a four-part choir and a Baroque instrumental ensemble of three trumpets and timpani (Ti), two transverse flutes (Ft), three oboes (Ob) (also oboe d'amore and oboe da caccia), two violins (Vl), viola (Va), and basso continuo including bassoon. (-) - !N/!N/!N - 18×⇩ - MP3 - Reccmo, Synthesized Performance 4 6 4 4 *#24283 - 2.54MB, 38 pp. 10 First feast day of the birth of Christ. Und es waren Hirten in derselben Gegend, III. 4 Johann Sebastian Bach composed the church cantata Du Friedefürst, Herr Jesu Christ (You Prince of Peace, Lord Jesus Christ), BWV 116, in Leipzig for the 25th Sunday after Trinity.He led the first performance on 26 November 1724, concluding the liturgical year of 1724.. Gelobt sei Gott" (Alleluia! Michrond (2012/11/12), Oboe d'amore The text has no recitatives alternating with arias, but … - - 6 - [1] It calls for all instruments to perform. He composed the Christmas cantata in Leipzig for Christmas Day and first performed it on 25 December 1725. [1] The Bach scholar Klaus Hofmann relates the choice of the oboe d'amore to the answer to the singer's question "Why do you do all this for man? Cantatas, BWV 101–110 BWV 101: Nimm von uns, Herr, du treuer Gott; BWV 102: Herr, deine Augen sehen nach dem Glauben; BWV 103: Ihr werdet weinen und heulen; BWV 104: Du Hirte Israel, höre; BWV 105: Herr, gehe nicht ins Gericht mit deinem Knecht; BWV 106: Gottes Zeit ist die allerbeste Zeit; BWV 107: Was willst du dich betrüben (-) - !N/!N/!N - 11×⇩ - Reccmo, ZIP typeset by arranger 6 [1], The opening chorus is "Unser Mund sei voll Lachens" (May our mouth be full of laughter). He composed the Christmas cantata in Leipzig for Christmas Day and first performed it on 25 December 1725. 8 [1] That year, he composed new works for the second and third feast day. 8 Unser Mund sei voll Lachens (May our mouth be full of laughter),[1] BWV 110, is a church cantata by Johann Sebastian Bach. 0.0/10 2 [10] The music is based on the Virga Jesse floruit from the Magnificat, changing the vocal lines to the different text but retaining the "essentially lyrical character". Unser Mund sei voll Lachens, BWV 110 - WikiMili, The Free Encyclopedia - 2 Original text and translations - 8 8 Bach led the Thomanerchor in the first performances on Christmas Day, one in the Nikolaikirche and one in the Thomaskirche. 10 2 Violini e Viola, 4 Voci è Continuo. Opus: BWV 0110, 7 movements. 6 [13] Bach set the same tune again to close Part III of his Christmas Oratorio with another stanza from the hymn, "Seid froh, dieweil" (Be glad, therefore).[10]. (-) - !N/!N/!N - 58×⇩ - Reccmo, PDF typeset by arranger (-) - !N/!N/!N - 3174×⇩ - Pierre Gouin, PDF typeset by arranger 2 - - *#135181 - 0.00MB, 1 pp. 10 *#495476 - 0.40MB, 16 pp. Synthesized Performance [9], A tenor aria, "Ihr Gedanken und ihr Sinnen" (You thoughts and musings),[11] is accompanied by two transverse flutes. [1], In 1723, his first year in Leipzig, Bach had composed no new cantata for Christmas Day, but revived Christen, ätzet diesen Tag, BWV 63, on a text of free poetry without any biblical or chorale content. (-) - V/V/V - 5436×⇩ - Carolus, PDF scanned by Unknown Alfred Dürr: Johann Sebastian Bach: Die Kantaten. External websites: Unser Mund sei voll Lachens at the Petrucci Music Library (IMSLP) View the Wikipedia article on BWV 110. 8 Rudolf Lutz, Chor und Orchester der J. S. Bach-Stiftung, Andreas Scholl (Altus). 10 2 - 6 [10] The aria, as the first one, is not a da capo aria, but in two parts. [1] The closing chorale is the fifth stanza of Caspar Füger's hymn "Wir Christenleut". 4 2 [2][7] The heading of the original parts reads: "J.J. Feria 1 Nativitatis Xsti. [1] In his third year, Bach used a cantata text by Georg Christian Lehms, which was published already in 1711 in Darmstadt in the collection Gottgefälliges Kirchen-Opffer. 10 10 10 • Switch back to classic skin, Aria: 'Ihr Gedanken und ihr Sinnen' (No.2), Aria: 'Ach Herr! 4 2 *#545493 - 0.01MB, 1 pp. 6 8 4 [1] The French overture, normally played upon the arrival of the king to a performance, seemed suitable to greet the King of Heaven. 8 2 *#455918 - 4.70MB, 60 pp. 4 10 - Erschallet, Trompeten! 10 4 6 He derived the first chorus, in the style of a French overture, from the overture to his fourth Orchestral Suite, embedding vocal parts in its fast middle section. *#495478 - 0.16MB, 12 pp. - 2 [1] He followed the format of the French overture by instrumental slow sections framing the fast choral section. The song of the angels is based on the Christmas interpolation Virga Jesse Floruit of his Magnificat in E-flat major, BWV 243a. 8 2 ich sehe, itzt, da ich zur Hochzeit gehe, Gott, wie dein Name, so ist auch dein Ruhm, Zerreißet, zersprenget, zertrümmert die Gruft, Vereinigte Zwietracht der wechselnden Saiten, Auf, schmetternde Töne der muntern Trompeten. 2 10 8 - *#495482 - 0.28MB, 16 pp. BWV: 201 Anlass: Konzert des Bachischen Collegium musicum : Entstehungsjahr: 1729 Entstehungsort: Leipzig Gattung: Weltliche Kantate Solo: S A T I/II B I/II Chor: S A T I/II B I/II Instrumente: Trba I-III; Timp; Fltr I/II; Ob I/II Str. (-) - !N/!N/!N - 83×⇩ - FP23, Complete Score and Parts (F major) *#432848 - 7.25MB, 62 pp. 6 The listing is taken from the selection on the Bach Cantatas Website. 8 0.0/10 Category:Lehms, Georg Christian Georg Christian Lehms (ca.1684 — 15 May 1717) ＝ Alternative Names/Transliterations: Pallidor ＝ 0.0/10 4 (-) - !N/!N/!N - 95×⇩ - MP3 - Michrond, Synthesized Performance (-) - C*/53*/V* - 1942×⇩ - Sallen112, PDF scanned by Sallen112 IJB 649 Key D major Movements/Sections Mov'ts/Sec's: 7 movements: Chorus: Unser Mund sei voll Lachens (D major) Aria (tenor): Ihr Gedanken und ihr Sinnen (B minor) Recitativo (bass): Dir, Herr, ist niemand gleich (F ♯ minor - A major) Aria (alto): Ach Herr! Description: First performed 25 December 1725, Christmas Day. 2 [1][4], A bass recitative, "Dir, Herr, ist niemand gleich" (There is no one like You, Lord),[11] is accompanied by the strings, which accompany the expressive line of the bass voice by "upward-pointing gestures". 10 4 ": "Aus Liebe" (through love). - 10 - 8 [1] The cantata was not published until 1876 when it appeared in the Bach Gesellschaft Ausgabe, the first complete edition of the composer's works. 2 2 6 Cantatas, BWV 101–110 BWV 101: Nimm von uns, Herr, du treuer Gott; BWV 102: Herr, deine Augen sehen nach dem Glauben; BWV 103: Ihr werdet weinen und heulen; BWV 104: Du Hirte Israel, höre; BWV 105: Herr, gehe nicht ins Gericht mit deinem Knecht; BWV 106: Gottes Zeit ist die allerbeste Zeit; BWV 107: Was willst du dich betrüben - 2 4 0.0/10 for recorder and harpsichord) Michael Beckenkamp Vivace In the following table of the movements, the scoring follows the Neue Bach-Ausgabe. He used a text by Georg Christian Lehms, which was published already in 1711. [10] Bach based the music on the overture to his fourth Orchestral Suite in D major, adding festive trumpets and timpani as well as flutes[4] to the original music and embedding the voices. [1][3], Bach led the Thomanerchor in the first performance in the morning of Christmas Day in the Nikolaikirche, repeated in the afternoon in the Thomaskirche. 0.0/10 (-) - !N/!N/!N - 132×⇩ - FP23, Complete Score and Parts (D minor) When the text refers to the strings, the winds have a rest. pp. (-) - !N/!N/!N - 218×⇩ - FP23, Complete Score and Trumpet Part BWV 110 ; BC A 10 I-Catalogue Number I-Cat. 4 (-) - !N/!N/!N - 66×⇩ - MID - Keanur, MID file (audio/video) 0.0/10 8 10 He chose obbligato instruments to differentiate the character of the three arias: two flutes with the tenor expressing the "lowly birth",[1] oboe d'amore with the alto, representing God's love, and trumpet, oboes and strings with the bass for his call to sing songs of joy together. 10 0.0/10 Cantatas, BWV 101–110 BWV 101: Nimm von uns, Herr, du treuer Gott; BWV 102: Herr, deine Augen sehen nach dem Glauben; BWV 103: Ihr werdet weinen und heulen; BWV 104: Du Hirte Israel, höre; BWV 105: Herr, gehe nicht ins Gericht mit deinem Knecht; BWV 106: Gottes Zeit ist die allerbeste Zeit; BWV 107: Was willst du dich betrüben 4 8 Februar 1725 erstmals auf. (-) - !N/!N/!N - 91×⇩ - FP23, Complete Score and Parts 4 4 Herrscher des Himmels, erhöre das Lallen, VI. (-) - !N/!N/!N - 49×⇩ - Reccmo, Engraving files (MUP, shell script) The text has no recitatives alternating with arias, but instead three biblical quotations, opening with verses from Psalm 26, then a verse from the Book of Jeremiah about God's greatness, and finally the angels' song from the Nativity according to the Gospel of Luke. 6 ", and the joyful reaction (Psalms 126:2–3). Perlnerd666 (2008/11/9), 1. (#432848). In 1725, Bach typically composed alternating recitatives and arias in his cantatas, both on contemporary poetry. 4 2 (-) - !N/!N/!N - 108×⇩ - MP3 - Michrond, Synthesized Performance - Keanur (2015/5/19), Complete Score 6
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